“The cultural renaissance that emerged in Mexico in 1920 at the end of that country’s revolution dramatically changed art not just in Mexico but also in the United States. With approximately 200 works by sixty American and Mexican artists, Vida Americana reorients art history, acknowledging the wide-ranging… Read More
“Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft, beginning with works made after World War II when many artists embraced fiber arts and ceramics to challenge the dominance of traditional painting and sculpture. Over… Read More
“Rachel Harrison’s (b. 1966) first full-scale survey tracks the development of her career over the past twenty-five years, incorporating room-size installations, sculpture, photography, and drawing. Harrison’s complex works—in which readymades collude with invented forms—bring together the breadth of art history, the impurities of politics and… Read More
“The boundary-bursting artist Jason Moran (b. 1975) grounds his practice in the composition of jazz, bridging the visual and performing arts through spellbinding stagecraft. Heralded as one of the country’s leading jazz innovators, Moran transmutes his personal experience of the world into dynamic musical compositions… Read More
“The New-York Historical Society presents the work of Augusta Savage (1892-1962) in Augusta Savage: Renaissance Woman. Savage overcame poverty, racism, and sexual discrimination to become an instrumental artist, educator, and community organizer during the Harlem Renaissance; yet her work is largely unknown today. The exhibition features more than 50… Read More
“This exhibition gathers paintings from the 1960s and early 1970s that inventively use bold, saturated, and even hallucinatory color to activate perception. During this period, many artists adopted acrylic paint—a newly available, plastic-based medium—and explored its expansive technical possibilities and wider range of hues. Color… Read More
“Kevin Beasley (b. 1985, Lynchburg, VA) engages with the legacy of the American South through a new installation that centers on a cotton gin motor from Maplesville, Alabama. In operation from 1940 to 1973, the motor powered the gins that separated cotton seeds from fiber.… Read More
“Few American artists are as ever-present and instantly recognizable as Andy Warhol (1928–1987). Through his carefully cultivated persona and willingness to experiment with non-traditional art-making techniques, Warhol understood the growing power of images in contemporary life and helped to expand the role of the artist… Read More
“Louise Nevelson (1899–1988), an artist best known for her monochromatic wooden sculptures, produced a distinctive body of works on paper over the course of her long career. Drawn entirely from the Whitney’s collection, this exhibition follows her work in drawing, printing, and collage, from her… Read More
Photographs by Corrado Serra. “This exhibition is the first major, monographic presentation of the work of David Wojnarowicz (1954–1992) in over a decade. Wojnarowicz came to prominence in the East Village art world of the 1980s, actively embracing all media and forging an expansive range… Read More
“Pacha, Llaqta, Wasichay investigates the complex ways in which Indigenous American notions of construction, land, space, and cosmology are represented in contemporary art. The exhibition highlights the work of seven established and emerging Latinx artists based in the United States and Puerto Rico (Latinx is a gender-neutral term for people… Read More
“For more than five decades, Mary Corse (b. 1945) has pursued a central question in her work: How can a painting embody light? This challenge has long fascinated artists seeking to translate light’s ephemeral glow into color and material form, but Corse has approached the problem differently. Rather than… Read More
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