Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg at The Morgan Library & Museum, through May 31, 2026 

“In an unprecedented collaboration, the Morgan Library & Museum and the Mozarteum Foundation of Salzburg have partnered to organize Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg, an exhibition that traces the extraordinary life and enduring legacy of Wolfgang Amadeus Mozart (1756–1791). On view March 13 through May 31, 2026, this two-gallery exhibition combines the Morgan’s significant holdings in Mozart manuscripts and first editions with remarkable objects, on view in the United States for the first time, from the Mozarteum Foundation of Salzburg. These include Mozart’s clavichord on which he composed The Magic Flute and his childhood violin, as well as famous portraits, letters, and personal objects of Mozart and his family.” — Morgan Library & Museum

“The Morgan is deeply grateful to the Mozarteum Foundation for its generous partnership and for opening its vaults so that we can present this comprehensive exhibition dedicated to one of the most significant figures in Western music,” said Colin B. Bailey, Katharine J. Rayner Director of the Morgan Library & Museum. “Mozart’s influence is still heard everywhere today, from piano lessons and concerts to children’s rhymes. Anchored around Mozart’s compositions, the exhibition will offer visitors an unprecedented opportunity to engage with the life and work of an artist whose music they recognize and hold dear.”

“The exhibition highlights the ways in which Mozart’s life and career were extraordinary even in his own time,” said Robinson McClellan, Mary Flagler Cary Curator of Music Manuscripts and Printed Music. “It gives insight into his environment and humanizes this great composer, illuminating his loves, passions, triumphs, and sorrows.” 

Wolfgang Amadeus Mozart (1756–1791). Mozart’s earliest compositions [1761].
Andante in C (K. 1a), between February and April 1761. Musical Manuscript in the hand of Leopold Mozart . Allegro in C (K. 1b), between February and April 1761. Allegro in F (K. 1c), 11 December 1761. Minuet in F (K. 1d), 16 December 1761. The Morgan Library & Museum, Mary Flagler Cary Music Collection. Photography by Anthony Troncale
Michel-Barthélémy Ollivier (1712–1784). English Tea in the Salon des Quatre-Glaces at the Maison du Temple, 1770. Oil on canvas. Christopher J. Salmon Collection, New York. Formerly in the collection of Louis Philippe (1773–1850), Duc d’Orléans and future King of the French (r. 1830–48)
Pietro Antonio Lorenzoni (1721–1782). Mozart in Courtly Attire, Salzburg,1763
Oil on canvas. International Mozarteum Foundation Salzburg, Mozart Museums
Jean-Baptiste Delafosse (1721–1806), after Louis Carrogis de Carmontelle (1717–1806). The Mozart Family, Paris, 1764. Copperplate engraving. Christopher J. Salmon Collection, New York
Wolfgang Amadeus Mozart (1756–1791). Postscript to Leopold Mozart’s letter to Anna Maria and Maria Anna “Nannerl” Mozart, Wörgl, December 14, 1769. The Morgan Library & Museum. MLT M9397.M9395. Photography by Graham S. Haber
Wolfgang Amadeus Mozart (1756–1791). Letter to Leopold Mozart, April 4, 1787. Internationale Stiftung Mozarteum, Bibliotheca Mozartiana. Formerly in the collection of Maurice Sendak (1928–2012). International Mozarteum Foundaion, Salzburg
Wolfgang Amadeus Mozart (1756–1791). Piano Sonata No. 8 in A Minor (K. 310). Autograph manuscript, Paris, 1778. The Morgan Library & Museum, Robert Owen Lehman Collection, on deposit.
Photography by Janny Chiu
Wolfgang Amadeus Mozart (1756–1791). “Non so più cosa son, cosa faccio” (I do not know what I am, what I do). Aria from Le nozze di Figaro (The Marriage of Figaro, K. 492/6). Arranged for piano, violin, and voice by Mozart. Autograph manuscript, Vienna, late 1785/early 1786. The Morgan Library & Museum, Heineman Music Collection MS 157. Photography by Anthony Troncale
Josef Gail (1755–1830). Set design for act 2, scene 4, in the original production of Die Zauberflöte (The Magic Flute, K. 620), Vienna, 1791. Graphite and ink on paper. Christopher J. Salmon Collection, New York. Formerly in the Mayr-Fajt Collection of XVII and XIX Century Stage Designs

Title image: Attributed to Giambettino Cignaroli (1706–1770). Mozart in Verona [1770]. Oil on canvas. On loan to the Mozarteum from a private collection.International Mozarteum Foundation, Salzburg

Images courtesy Morgan Library & Museum.