Watteau’s Soldiers: Scenes of Military Life in Eighteenth-Century France at The Frick Collection, July 12 – October 2, 2016

“Best known for his images of amorous aristocrats and melancholy actors, Jean-Antoine Watteau (1684-1721) ventured into military subjects early in his short career, producing about a dozen paintings and a number of drawings between about 1709 and 1715. Working during the War of the Spanish Succession, Watteau had no interest in capturing the turbulence of battle or exalting the triumphs of generals and kings. Instead, he focused on the prosaic aspects of a soldier’s life—marches, halts, and encampments. These themes were inspired by seventeenth-century Dutch and Flemish precedents, but Watteau’s efforts are set apart by their intimacy and humanity. More than any previous artist, he portrayed soldiers as individuals endowed with inner lives.

Watteau’s intimate vision of war is inseparable from his unusual working methods. Unlike most of his contemporaries, Watteau did not proceed methodically from compositional sketches, studies, and full-scale models to the final painting. Instead, he began by drawing soldiers from life, capturing them “off duty,” unconstrained by the discipline of drills and battle. These drawings, executed without a specific end in mind, provided him with a stock of figures that he would later arrange on a background he had already prepared. As a result, even as the figures interact, the connections between them are never entirely resolved. Their gazes do not seem to meet, and their gestures are often enigmatic. The uneasy social commerce of Watteau’s paintings lends them a dreamlike ambiguity and psychological complexity new in genre scenes of military life.” — Introductory Wall Text

For caption information, please refer to the Press Image List provided by The Frick Collection. 
Jean-Antoine Watteau (1684 - 1721) The Portal of Valenciennes, 1709-1710 oil on canvas (lined) 12 3/4 in. x 16 in. (32.39 cm x 40.64 cm) Purchased with funds from the bequest of Arthemise Redpath, 1991. Accession number: 1991.1.173

Jean-Antoine Watteau (1684–1721). The Portal of Valenciennes, ca. 1710–11. Oil on canvas, 12 3/4 x 16 inches. The Frick Collection; purchased with funds from the bequest of Arthemise Redpath, 1991. Photo: Michael Bodycomb 3.

For caption information, please refer to the Press Image List provided by The Frick Collection. 
Jean-Antoine Watteau (1684–1721) The Halt (Alte), ca. 1710–11 Oil on canvas 12 5/8 x 16 ¾ inches Museo Thyssen-Bornemisza, Madrid Photo credit: Museo Thyssen-Bornemisza, Madrid

Jean-Antoine Watteau (1684–1721). The Halt, ca. 1710. Oil on canvas, 12 5/8 x 16 ¾ inches. Museo Thyssen-Bornemisza, Madrid. Photo credit: Museo Thyssen-Bornemisza, Madrid

For caption information, please refer to the Press Image List provided by The Frick Collection. 
Jean-Antoine Watteau (1684–1721) The Supply Train (Escorte d'équipages), ca. 1715 Oil on panel 11 1/8 x 12 3/8 inches Private collection

Jean-Antoine Watteau (1684–1721). The Supply Train, ca. 1715. Oil on panel, 11 1/8 x 12 3/8 inches. Collection Lionel and Ariane Sauvage 5.

For caption information, please refer to the Press Image List provided by The Frick Collection. 
Philips Wouwerman (1619 - 1668) The Cavalry Camp, 1638-1668 oil on oak panel 16 3/4 in. x 20 3/4 in. (42.55 cm x 52.71 cm) Henry Clay Frick Bequest. Accession number: 1901.1.136

Philips Wouwerman (1619–1668). The Cavalry Camp, 1638–68. Oil on oak panel, 16 3/4 × 20 3/4 inches. The Frick Collection. Photo: Michael Bodycomb These

5_NatGal_Socotland_Foot_Soldiers_Drummer_Two_Caveliers_2000

Jean-Antoine Watteau (1684–1721). Studies of Foot Soldiers, a Drummer, and Two Cavaliers (verso), ca. 1709–10. Red chalk, 6 ¼ x 7 5/8 inches. National Gallery of Scotland, Edinburgh. Photo: Scottish National Gallery

For caption information, please refer to the Press Image List provided by The Frick Collection. 
Jean-Antoine Watteau (1684–1721) Two Recruits, ca. 1712 Red chalk 6 3/8 x 6 1/8 inches Yale University Art Gallery, New Haven; Everett V. Meeks, B.A. 1901, Fund Photo: Yale University Art Gallery

Jean-Antoine Watteau (1684–1721). Two Studies of a Soldiers Viewed from Behind, ca. 1712. Red chalk, 6 3/8 x 6 1/8 inches. Yale University Art Gallery, New Haven; Everett V. Meeks, B.A. 1901, Fund. Photo: Yale University Art Gallery

For caption information, please refer to the Press Image List provided by The Frick Collection. 
Jean-Antoine Watteau (1684–1721) Three Studies of a Soldier, One from Behind, ca. 1713–15 Red chalk 6 x 7 ¾ inches Fondation Custodia, Paris Photo: Fondation Custodia, Collection Frits Lugt, Paris

Jean-Antoine Watteau (1684–1721). Three Studies of a Soldier, One from Behind, ca. 1713–15. Red chalk, 6 x 7 ¾ inche. Fondation Custodia, Paris. Photo: Fondation Custodia, Collection Frits Lugt, Paris

For caption information, please refer to the Press Image List provided by The Frick Collection. 
Watteau Antoine (1684-1721). Paris, Ècole nationale supÈrieure des Beaux-Arts (ENSBA). ABA1608.

Jean-Antoine Watteau (1684–1721). Three Studies of Resting Soldiers (recto), ca. 1713–14. Red chalk, 6 7/8 × 8 ½ inches. École nationale supérieure des Beaux-Arts, Paris (1608). Photo: © Beaux-Arts de Paris, Dist. RMN-Grand Palais / Art Resource, NY

For caption information, please refer to the Press Image List provided by The Frick Collection. 
Watteau Antoine (1684-1721). Paris, musÈe du Louvre, D.A.G.. RF51752-recto.

Jean-Antoine Watteau (1684–1721). Three Views of a Soldier, One from Behind, ca. 1713–15. Red chalk, with black ink framing,6 ¾ × 8 5/8 inches. Musée du Louvre, Paris (RF 51752). Photo: © RMN-Grand Palais / Art Resource, NY

For caption information, please refer to the Press Image List provided by The Frick Collection.
Jean-Antoine Watteau (1684–1721) Three Studies of Soldiers Holding Muskets and Wearing Capes, ca. 1710 Red chalk and stump on cream paper 5 ¾ × 8 inches The Courtauld Institute Galleries, London (PG 217) Photo: The Samuel Courtauld Trust, The Courtauld Gallery, London

Jean-Antoine Watteau (1684–1721). Three Studies of Soldiers Holding Muskets and Wearing Capes, ca. 1710. Red chalk and stump on cream paper,5 ¾ × 8 inches. The Courtauld Institute Galleries, London (PG 217). Photo: The Samuel Courtauld Trust, The Courtauld Gallery, London

For caption information, please refer to the Press Image List provided by The Frick Collection. 
Watteau Antoine (1684-1721). Paris, Ècole nationale supÈrieure des Beaux-Arts (ENSBA). EBA1605.

Jean-Antoine Watteau (1684–1721). Three Studies of a Soldier and a Kneeling Man, ca. 1710. Red chalk, within brown ink framing, 4 ¾ × 7 5/8 inches. École nationale supérieure des Beaux- Arts, Paris (1605). Photo: © Beaux-Arts de Paris, Dist. RMN-Grand Palais / Art Resource, NY

Images courtesy The Frick Collection