“The major fall exhibition at Frick Madison (the temporary home of The Frick Collection during renovation of its historic buildings) presents the largest and most significant promised gift of drawings and pastels in the institution’s history. Assembled by Elizabeth ‘Betty’ and Jean-Marie Eveillard, avid collectors… Read More
“In the spring and summer of 2022, The Frick Collection presents a one-room installation by Italian artist Giuseppe Penone (b. 1947) at the museum’s temporary home, Frick Madison. Displayed in the broader context of the museum’s decorative arts and Old Master paintings and sculpture, this… Read More
“The Frick Collection presents Henry Arnhold’s Meissen Palace, an exhibition of works from the famed European porcelain manufactory along with several Asian examples that inspired such wares. The pieces are drawn from the collection of the late Henry H. Arnhold (1921–2018), whose foundation made a… Read More
“The Frick presents three canvases by Édouard Manet (1832–1883) from the collection of the Norton Simon Museum in Pasadena, California, marking the first time the paintings will be exhibited together elsewhere since their acquisition. Considered the father of Impressionism, Post-Impressionism, and, by some, twentieth-century abstraction,… Read More
“The Frick Collection presents the first exhibition devoted to the Renaissance sculptor Bertoldo di Giovanni (ca. 1440–1491). It shines a long-overdue light on the ingenuity and prominence of the Florentine artist, who was a student of Donatello, a teacher of Michelangelo, a favorite of Lorenzo… Read More
“The Frick Collection presents a temporary installation of site- specific works by sculptor Edmund de Waal—a rich juxtaposition of nine objects displayed in the main galleries of the museum, alongside works from the permanent collection. Acclaimed as both an artist and writer, de Waal is… Read More
“The Frick Collection presents paintings, drawings, prints, and photographs related to Giambattista Tiepolo’s (1696–1770) first significant project outside of Venice, a series of ceiling frescoes painted in 1730–31 for Palazzo Archinto in Milan. Commissioned by Count Carlo Archinto, one of the city’s most influential patrons… Read More
“In Renaissance Italy, one of the aims of portraiture was to make the absent seem present through naturalistic representation of the sitter. This notion—that art can capture an individual exactly as he or she appears—is exemplified in the work of Giovanni Battista Moroni. The artist… Read More
“In 1816, the General Assembly of North Carolina commissioned a full-length statue of George Washington to stand in the rotunda of the State Capitol, in Raleigh. Thomas Jefferson, believing that no American sculptor was up to the task, recommended Antonio Canova (1757– 1822), then one… Read More
“Francisco de Zurbarán helped to define Seville’s Golden Age, a period of economic expansion and cultural resurgence in the late sixteenth and early seventeenth centuries, when the Andalusian seaport monopolized trade with the New World. Throughout the late 1620s and 1630s, the artist and his… Read More
“This year marks the 400th anniversary of the birth of one of the most celebrated painters of the Spanish Golden Age, Bartolomé Esteban Murillo (1617–1682). A number of international exhibitions are planned to pay tribute to the artist’s achievements, the first of which is at… Read More
“Exploring a turning point in the career of Britain’s greatest land and seascape painter of the nineteenth century, a major exhibition at The Frick Collection will illuminate Joseph Mallord William Turner’s (1775–1851) distinctly modern approach to the theme of the port. Turner’s Modern and Ancient… Read More
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