“In Maneater, Houston, Texas based artist Natasha Bowdoin creates her largest-ever cut paper and collage installation, which investigates the intersections of the visual, the experiential, and the literary, treating language and nature as kindred phenomena. Referencing such sources as Golden Age children’s book illustrations, 19th-century botanical drawings, floral textile patterns, lunar maps, and prints of underwater sea life, Bowdoin’s fragile, lush installations shift and change as viewers explore their surfaces.
Bowdoin’s affinity for the wilderness began at a young age, as she wandered the woods and waters of Maine. This wasn’t solely a physical act; she also used books to understand the landscape around her and to escape to unavailable landscapes. Primed with an empirical and a fictional experience of nature, filled with wonder and terror, Bowdoin’s work flickers between unsentimental Darwinism and embroidered reverie. Her journeys into the dark woods hark to a time when fairy tales and scientific illustrations were equally plausible explanations of nature’s mysteries: where Ernst Haeckel, Lewis Carroll, or the Brothers Grimm might all make suitable traveling companions.” — MASS MoCA
Natasha Bowdoin: Maneater photos by David Dashiell. Images courtesy MASS MoCA.