“Analogue is an urgent document and poetic allegory of globalization and the push for technological innovation, revealing the movement of goods and the homogenization of diverse geographical locations in the 21st century.” — Roxana Marcoci, Senior Curator, The Museum of Modern Art
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Ten chromogenic color prints and two gelatin silver prints, each 11 x 11″ (27.9 x 27.9 cm)
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Ten chromogenic color prints and two gelatin silver prints, each 11 x 11″ (27.9 x 27.9 cm)
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Forty-six chromogenic color prints and eight gelatin silver prints, each 11 x 11″ (27.9 x 27.9 cm)
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Six chromogenic color prints and three gelatin silver prints, each 11 x 11″ (27.9 x 27.9 cm)
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Nine chromogenic color prints, each 11 x 11″ (27.9 x 27.9 cm)
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Four chromogenic color prints, each 11 x 11″ (27.9 x 27.9 cm)
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Forty-six chromogenic color prints and two gelatin silver prints, each 11 x 11″ (27.9 x 27.9 cm)
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Twelve chromogenic color prints and four gelatin silver prints, each 11 x 11″ (27.9 x 27.9 cm)
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Twelve chromogenic color prints, each 11 x 11″ (27.9 x 27.9 cm)
Zoe Leonard (American, born 1961) Analogue detail, 1998-2007. Three chromogenic color prints and one gelatin silver print, each 11 x 11″ (27.9 x 27.9 cm)
Analogue was made possible through the Artist’s Residency program at the Wexner Center for the Arts at The Ohio State University. Acquired through the generosity of the Contemporary Arts Council of The Museum of Modern Art, the Fund for the Twenty-First Century, The Modern Women’s Fund, and Carol Appel. Images courtesy The Museum of Modern Art
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