Biennale Gherdëina 9: The Parliament of Marmots in The Dolomites and Val Gardena, Italy, through September 1, 2024

“From May 31 to September 1, 2024, with opening days on Friday May 31 and Saturday June 1, 2024, in Ortisei and within the unique setting of the Dolomites and Val Gardena, The Parliament of Marmots, the 9th edition of the Biennale Gherdëina, curated by Lorenzo Giusti with Marta Papini as associate curator, will open to the public. The Parliament of Marmots is inspired by the Kingdom of Fanes, one of the most fascinating Ladin myths of the Dolomites, which tells of the breaking of a pact established between animals and humans. This orally transmitted legend shares some key figures with Mediterranean culture and speaks of transformations, celebrating wild nature, the cycles of life, and the intimate and profound relationship between all species. In this perspective, the mountains and the Dolomites — remnants of gigantic coral reefs that surfaced 250 million years ago — transform from a barrier into a passage, a meeting point, and thus a place of encounter and contamination.” — Biennale Gherdëina

“According to anthropologist Anna Tsing, the ability to create worlds is not a prerogative of humans; hence it is necessary to turn to ways of world-making or modes of existence beyond the human,” explains curator Lorenzo Giusti. “This does not mean adopting a post-human perspective — where the human disappears — but opening up to the telling of ‘more-than-human’ stories, in which humans lose their centrality, in the awareness that no organism can become itself without the assistance of other species. In trying to compose a possible vision of these worlds, Biennale Gherdëina 9 presents a hybrid mosaic of artistic proposals, opening up the possibility of cultural and political reconciliation between the Alps and the Mediterranean, between origins and perspectives.”  

Atelier dell’Errore, Marmottoloide, 2024. Mixed Technique and Gold Leaf on Polyester and Carbon Fibre. Variable Dimensions. Commissioned by Biennale Gherdëina 9. Photo by Tiberio Sorvillo
Ingela Ihrman, First Came the Ocean, 2024. Environmental Installation, 25 x 5 m. Courtesy the Artist and Ögonblicksteatern i Umeå, Sweden. Photo by Tiberio Sorvillo
Nassim Azarzar, The Edge of the Forest, 2024. Wallpainting. Variable Dimensions. Commissioned by Biennale Gherdëina 9. Photo by Tiberio Sorvillo
Julius von Bismarck, Beatle On A Horse, 2024. Stone Pine Wood. 444 x 125 x 233 cm. Commissioned by Biennale Gherdëina 9. Supported by IFA – Institut für Auslandsbeziehungen. Photo by Tiberio Sorvillo
Arnold Holzknecht, Schwarzweiß / Bianconero, 2024. 2 Carved, Planed and Turned Sculptures in Wood, Sheep Wool, Acrylic. 240 x 45 x 100 cm. Commissioned by Biennale Gherdëina 9. Photo by Tiberio Sorvillo
Michael Höpfner, Plateau – A Walking Life, 2024. Installation Silver Gelatine Prints, Drawings, Collages, Yarn. Variable Dimensions. Commissioned by Biennale Gherdëina 9. Supported by La Boîte, Tunis. Photo by Tiberio Sorvillo
Markus Vallazza + Martino Gamper, Die Frauen aus Fanis, 1991/92 – 2024. Drawing. Installation with Wooden Frames. Variable Dimensions. Commissioned by Biennale Gherdëina 9. Photo by Tiberio Sorvillo
Eva Papamargariti, A whisper, a murmur, a roar, 2024. Three-Channel HD Video, Color, Sound, 9’. Commissioned by Biennale Gherdëina 9. Supported by LUMA Arles. Photo by Tiberio Sorvillo
Alex Ayed, Untitled (Beit el hmam II), 2023. Clay, Olive Wood, Hay, Steel, Limewash. 280 x 107,5 x 118 cm. Courtesy of the Artist and ZERO…, Milan and Galerie Balice Hertling, Paris. Photo by Tiberio Sorvillo
Laurent Le Deunff, Chouette des neiges, Crocodile, Escargot, 2024. Installation with Concrete Sculptures, Earth, Tree Bark, Dead Leaves, Moss and Various Species of green Plants and Saplings. Variable Dimensions. Courtesy of the Artist and Semiose, Paris. Photo by Tiberio Sorvillo
Tribute to Lin May Saeed, Works 2006 – 2023. Sculptures, Reliefs, Cut-Paper Silhouette. Realized by GAMeC, Bergamo in Collaboration with Biennale Gherdëina 9. Courtesy of The Estate of Lin May Saeed and Jacky Strenz, Frankfurt/Main. Photo by Tiberio Sorvillo

Images courtesy Biennale Gherdëina.