Lino Tagliapietra: Journey at Heller Gallery, October 8 – November 6, 2021

“Legendary Italian glassblower, artist & teacher Lino Tagliapietra, who just celebrated his 87th birthday, started his career at the age of twelve, as an apprentice in a glass factory on his native island of Murano.  He earned the title of maestro vetraio (master glassmaker) at twenty-one, and in the late 1970s set off to pursue the path of a studio artist. In July 2021, after more than 75 years in the hotshop, he announced his retirement from the furnace to afford himself the freedom to pursue projects beyond glassblowing.

Tagliapietra’s glass forms are firmly based in the 20th century Italian design idiom. Each of his pieces is a de-facto encyclopedia of classical Muranese glassmaking techniques characterized by bold colors and exuberant patterning. His work radiates vibrant optimism and effortless virtuosity.” — Heller Gallery

LINO TAGLIAPIETRA, SPIGOITONDI, 2021, glass, 17 1/2 x 12 1/4 x 5 1/4 in. (44.5 x 31.1 x 13.3 cm).
LINO TAGLIAPIETRA, FENICE, 2012, glass, 13 x 47 x 4 3/4 in. (33 x 119.4 x 12.1 cm).
LINO TAGLIAPIETRA, MEDUSA, 2006, glass, 19 1/2 x 18 1/4 x 7 in. (49.5 x 46.4 x 17.8 cm).
LINO TAGLIAPIETRA, FUJI, 2017, glass, 33 1/4 x 15 1/2 x 6 in.
(84.5 x 39.4 x 15.2 cm).
LINO TAGLIAPIETRA, APOLLINEO, 2019, glass, 13 1/2 x 10 1/2 x 9 1/4 in. (34.3 x 26.7 x 23.5 cm).
LINO TAGLIAPIETRA, AVVENTURINE CASE, 2012, glass, 9 1/4 x 38 3/4 x 5 1/2 in. (23.5 x 98.4 x 14 cm).
LINO TAGLIAPIETRA, BATMAN, 2000, glass, 10 3/4 x 11 x 4 1/2 in. (27.3 x 27.9 x 11.4 cm).
LINO TAGLIAPIETRA, MANDARA, 2005, glass, 21 x 11 1/4 x 7 1/4 in. (53.3 x 28.6 x 18.4 cm).
LINO TAGLIAPIETRA, VIENNA, 2009, glass, 21 x 14 x 7 1/2 in. (53.3 x 35.6 x 19.1 cm).
LINO TAGLIAPIETRA, MANDARA 751, 2013, glass, 19 1/2 x 18 3/4 x 7 1/2 in. (49.5 x 47.6 x 19.1 cm).
LINO TAGLIAPIETRA, ASTURIA, 2003, glass,12 1/4 x 10 3/4 x 5 3/4 in. (31.1 x 27.3 x 14.6 cm).

Art historian and curator Tina Oldknow summarized his influence: “Today, artists from around the world use a Venetian glass vocabulary to make work that would never, ever be produced in Venice, and the dissemination of this remarkably creative and vibrant craft language may be Lino’s most important legacy. Lino came to America to discover what there might be here for him and to teach others to work glass. In the process, he helped to pioneer an industry – not for commerce, but for art.”

Exhibition was curated by Douglas Heller.

Images courtesy Heller Gallery.