“Engineer, Agitator, Constructor: The Artist Reinvented, a major exhibition that presents the political engagement, fearless and groundbreaking visual experimentation, and utopian aspirations of artists in the early 20th century. On view in The Robert B. Menschel Galleries, Engineer, Agitator, Constructor showcases the activities of historical avant-gardes, including galvanizing works of Dada, Bauhaus, De Stijl, Futurism, and Russian Constructivism, and highlights such figures as Aleksandr Rodchenko, Lyubov Popova, John Heartfield, and Hannah Höch. Drawn from the Museum’s outstanding holdings from this period, the exhibition marks a recent acquisition of more than 300 works from the Merrill C. Berman Collection, one of the most significant collections of early 20th-century works on paper in private hands.” — The Museum of Modern Art
“The exhibition asks: during and in the wake of war and revolution, does the artist have a right to exist? If so, on what basis? And in what form? These questions—central to the theoretical debates of the era—will serve as the exhibition’s focus,” says Hauptman. “Just as gripping is the possibility of linking the radical experimentation of the early 20th century with contemporary art. The strategies, practices, and languages of artists involved in Constructivism, Dada, and Futurism, for example, are still reverberating today, and the exhibition will provoke vigorous and challenging conversations across time.”
Engineer, Agitator, Constructor: The Artist Reinvented is organized by Jodi Hauptman, Senior Curator, Department of Drawings and Prints, MoMA, and Adrian Sudhalter, Consulting Curator, with Jane Cavalier, Curatorial Assistant, Department of Drawings and Prints, MoMA.
Images courtesy The Museum of Modern Art.
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