“The experimental Dutch printmaker Hercules Segers (ca. 1589 – ca. 1638), one of the most fertile artistic minds of his time, created otherworldly landscapes and still lifes of astonishing originality. Rejecting the traditional idea put forth by masters since the fifteenth century that prints from a single… Read More
“The Serralves Museum of Contemporary Art presents A Time Coloured Space, a major exhibition by French artist Philippe Parreno, his first in Portugal. Curated by the Director of the Museum, Suzanne Cotter, the exhibition spans all thirteen rooms of the Museum, across two floors, and… Read More
“The Nationalmuseum, Sweden’s largest and most distinguished art institution, collaborated with the Morgan Library & Museum to bring more than seventy-five masterpieces from its renowned collections to New York in an extraordinary new exhibition. The Nationalmuseum’s core holdings were assembled by Count Carl Gustaf Tessin (1696–1770), a diplomat and… Read More
“Extinct in the Wild, conceived and curated by American artist Michael Wang (1981), brings together flora and fauna that are no longer found in nature, but persist exclusively under human care, within an artificial habitat. Labelled with the officially designated term ‘extinct in the wild’, these species have… Read More
“Slight Agitation 2/4: Pamela Rosenkranz, the second iteration of a four-part project of newly commissioned, site-specific works hosted in sequence within the Cisterna, one of the pre-existing buildings at Fondazione Prada’s Milan venue. The title of the project was inspired by the poetic expression ‘une légère agitation’, employed… Read More
“Presented by Friends of the High Line, High Line Art announces the High Line Plinth, a new landmark destination for major public art commissions in New York City located on the High Line at West 30th Street and 10th Avenue. Designed as the focal point of… Read More
Photographs by Corrado Serra. “We are proud to present Tattooed New York and offer our visitors an immersive look into the littleknown history of modern tattooing,” said Dr. Louise Mirrer, president and CEO of the New-York Historical Society. “At the convergence of history and pop culture, the… Read More
In the new publication Renée Radell: Web of Circumstance, Eleanor Heartney opens with this now-famous 1971 provocation by legendary art historian Linda Nochlin, “Why have there been no great women artists?” While acknowledging that women artists continue to face obstacles in an uneven playing field, in this book Heartney showcases a rare… Read More
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