Marking Time: Process in Minimal Abstraction
Marking Time: Process in Minimal Abstraction features a selection of nearly a dozen paintings and works on paper from the Guggenheim collection by Agnes Martin, Roman Opałka, Park Seo-Bo, and others. This presentation explores how artists operating in a variety of contexts foregrounded process as they forged new approaches to abstraction.
Installation Views: Marking Time: Process in Minimal Abstraction; December 18, 2019–July 20, 2020. Solomon R. Guggenheim Museum, New York. Photo: David Heald, © Solomon R. Guggenheim Foundation
Marking Time: Process in Minimal Abstraction was organized by David Max Horowitz, Assistant Curator, Solomon R. Guggenheim Museum.
The Fullness of Color: 1960s Painting
The Fullness of Color: 1960s Painting features a selection of paintings by Helen Frankenthaler, Morris Louis, Kenneth Noland, Alma Thomas, and others. This exhibition draws primarily from the Guggenheim’s collection and explores the varied and complex courses nonrepresentational art followed in the 1960s and into the 1970s, including those characterized as Color Field, geometric abstraction, or hard-edge painting.
Installation Views: The Fullness of Color; December 18, 2019–August 2020. Solomon R. Guggenheim Museum, New York. Photo: David Heald, © Solomon R. Guggenheim Foundation
The Fullness of Color: 1960s Painting was organized by Megan Fontanella, Curator, Modern Art and Provenance, with support from Indira Abiskaroon, Curatorial Assistant, Collections.
Title Image: The Solomon R. Guggenheim Museum, New York. Photo: David Heald © The Solomon R. Guggenheim Foundation, New York.
Images courtesy Solomon R. Guggenheim Museum.