“What is jewelry? Why do we wear it? What meanings does it convey? The exhibition Jewelry: The Body Transformed traverses time and space to explore how jewelry acts upon and activates the body it adorns. This global conversation about one of the most personal and universal of art forms brings together some 230 objects drawn almost exclusively from The Met collection. A dazzling array of headdresses and ear ornaments, brooches and belts, necklaces and rings created between 2600 B.C.E. and the present day will be shown along with sculptures, paintings, prints, and photographs that will enrich and amplify the many stories of transformation that jewelry tells.” — The Met
“Jewelry is one of the oldest modes of creative expression—predating even cave painting by tens of thousands of years—and the urge to adorn ourselves is now nearly universal,” commented Max Hollein, Director of The Met. “This exhibition will examine the practice of creating and wearing jewelry through The Met’s global collection, revealing the many layers of significance imbued in this deeply meaningful form of art.”
“To fully understand the power of jewelry, it is not enough to look at it as miniature sculpture,” stated Melanie Holcomb, Curator, Department of Medieval Art and The Cloisters. “While jewelry is ubiquitous, the cultures of the world differ widely regarding where on the body it should be worn. By focusing on jewelry’s interaction with—and agency upon—the human body, this exhibition brings in a key element that has been missing in previous studies of the subject.”
The exhibition represents a dynamic, collaborative partnership of six curators—lead curator Melanie Holcomb, Curator, Department of Medieval Art and The Cloisters, consulting curator Beth Carver Wees, the Ruth Bigelow Wriston Curator of American Decorative Arts, The American Wing; Kim Benzel, Curator in Charge, Department of Ancient Near Eastern Art; Diana Craig Patch, the Lila Acheson Wallace Curator in Charge, Department of Egyptian Art; Soyoung Lee, the Landon and Lavinia Chief Curator, Harvard Art Museums; and Joanne Pillsbury, the Andrall E. Pearson Curator, Department of the Arts of Africa, Oceania, and the Americas—assisted by Hannah Korn, Collections Management Coordinator, Medieval Art and The Cloisters, with Moira Gallagher, Research Assistant, The American Wing.
Images courtesy Metropolitan Museum of Art.