Dadaglobe Reconstructed at The Museum of Modern Art, June 12 – September 18, 2016
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“Dadaglobe Reconstructed will reunite over 100 works by more than 40 artists that were submitted to Tristan Tzara for his planned but unrealized 1921 anthology Dadaglobe. In Paris in late 1920, Tzara, a poet and a co-founder of Dada, drew up a proposal for an ambitious anthology to document the movement’s artistic and literary production. Along with artist Francis Picabia, Tzara sent solicitation letters to 50 artists and writers in 10 countries, requesting four categories of artworks—photographic self-portraits, photographs of artworks, original drawings, and designs for book pages—along with prose, poetry, or other verbal “inventions.” While some artists submitted existing works, many created new ones for the volume, making Dadaglobe one of the period’s most generative catalysts for the production of new Dada works. Due to financial and interpersonal difficulties, Dadaglobe was never realized, and while many of the works submitted are well-known today, their origin in this project has long been forgotten.” — MoMA
Dadaglobe solicitation form letter to Alfred Vagts, signed by Tristan Tzara, Francis Picabia, Georges Ribemont-Dessaignes, and Walter Serner. 1920. Typewriting on Mouvement Dada letterhead, 10 5/8 x 8 1/4″ (27 x 21 cm). Archivo Lafuente.
“Would you please also send a clear photo of your head (not body), which you can alter freely, although it should retain clarity.” – Tzara’s Dadaglobe solicitation letter
Johannes Theodor Baargeld (Alfred Emanuel Ferdinand Gruenwald) (German, 1892–1927). Typical Vertical Mess as Depiction of Dada Baargeld (Typische Vertikalklitterung als Darstellung des Dada Baargeld). 1920. Cut-and-pasted gelatin silver prints and cut-and-pasted printed paper on thin board, 14 9/16 × 10 13/16″ (37 × 27.5 cm). Dadaglobe submission from Baargeld. Kunsthaus Zürich, Grafische Sammlung.
“Please send 3 or 4 black and white drawings …. one drawing can be colorful, but containing no more than 2 or 3 colors.” – Tzara’s Dadaglobe solicitation letter
Aldo Fiozzi (Italian, 1894–1941). His Excellency Walks (Sua Eccellenza Passeggia). c. 1920. Ink on paper, 9 5/16 × 6 3/4″ (23.6 × 17.1 cm). Dadaglobe submission from Fiozzi. Private collection.
Johannes Theodor Baargeld (Alfred Emanuel Ferdinand Gruenwald) (German, 1892–1927). The Human Eye and a Fish, The Latter Petrified (Das menschliche Auge und ein Fisch, letzterer versteinert). 1920. Cut-and-pasted paper, ink, and pencil on paper, 12 1/4 x 9 3/8″ (31.1 x 23.8 cm). Dadaglobe submission from Baargeld. The Museum of Modern Art, New York. Purchase, 1937.
“In place of the color drawing, you can design a book page with or without text.” – Tzara’s Dadaglobe solicitation letter