Frank Stella: A Retrospective at Whitney Museum of American Art, October 30, 2015 – February 7, 2016
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Photographs by Corrado Serra.
“Frank Stella: A Retrospective brings together the artist’s best-known works installed alongside lesser known examples to reveal the extraordinary scope and diversity of his nearly sixty-year career. Approximately 100 works, including icons of major museum and private collections, will be shown. Along with paintings, reliefs, sculptures, and prints, a selection of drawings and maquettes have been included to shed light on Stella’s conceptual and material process.” — Whitney Museum
“The essence of freedom … is something that is able to overcome its own boundaries. The question is not only to be able to define things, but also to have the boundaries be felt in the proper way they are defining, but not limiting.” — Frank Stella
Left: Astoria, 1958. Center: The Marriage of Reason and Squalor II, 1959. Right: Great Jones Street, 1958.
Left: Creede I, 1961. Right Creede II, 1961
Left to right: Marrakech, 1964; Palmito Ranch, 1961; A vicenna, 1960; Jasper’s Dilemma, 1962
Jasper’s Dilemma, 1962
Left: Moultonville II, 1966. Right: Effingham II, 1966
Damascus Gate (Stretch Variation III), 1970
Harran II, 1967
Left: St. Michael’s Counterguard, 1984. Right: Grajau I, 1975
Left: Grajau I, 1975. Right: Grajau II, 1975
St. Michael’s Counterguard, 1984
Left: Gobba, zoppa e collotorto, 1985. Right: Chodorow II, 1971
Gobba, zoppa e collotorto, 1985
Kamionka Strumilowa IV, 1972
Left: Jarmolince III, 1973. Right: Piaski II, 1973